The temple of art as imperial Museum of art collection of modern Chinese paintings and calligraphy e 66814

The temple of art as imperial Museum of art collection of modern Chinese paintings and calligraphy exhibition museum of art exhibition of imperial Ching theme of promoting Chinese traditional culture, to grasp the strategic positioning of the capital city functions and cultural center in the new period, to further strengthen the construction of the capital and cultural workers in new period, and strive to build the capital of Union has characteristics of Imperial Art Museum cultural brand, working people’s Cultural Palace Beijing city intends to hold the "imperial Museum of art collection treasures of calligraphy and painting exhibition at the imperial temple Museum of art". Hold the "imperial Museum of Art Museum collection exhibition" contribute to the future collection of interaction with other museums, expand the imperial Museum of art professional influence, enhance the quality of public service. The collection of works of art exhibition, art, ideology and culture in one, to further meet the needs of the new era of the capital of the diversified cultural and spiritual needs of workers, promote the development of the capital of advanced cultural work. The exhibition wall: memories of the times for the new China exhibition structure exhibits sixty years of imperial Museum of art and calligraphy works of about 100. According to the different categories of calligraphy and painting, painting and calligraphy. The exhibition is divided into "the era of pictures" and "calligraphy pass pay for two units, a" preface "," preface ", accompanying chronology of the events, with exchanges, exhibitions and other old photos, complete and thorough collection of painting and calligraphy exhibition show imperial Museum of art at the opening ceremony of the opening ceremony of the exhibition academic host, curatorial consultant Yu Yang said: the Imperial Ancestral Temple as the two emperors of the Ming and Qing Dynasties ancestor worship temple, is the ancient royal culture. This was built in the Ming Yongle eighteen years (1420) of the royal temple, after entering in twentieth Century, the new China sixty years, Tibet has many modern painting and calligraphy boutique, as art for the people of the witness, carrying heavy cultural memory. Thus, with six hundred years of history in a royal temple for the first time, a comprehensive display of new Chinese after Tibet modern painting works, it shows the deep relationship between art and time and society, highlighting the cultural tension of ancient and modern, new and old, but do not have a history of moral and cultural feelings. The theme of the exhibition "temple art", which refers to the field of reading and culture exhibition. It has two implications: first, in the semantic of ancient Chinese, "Temple" is a word meaning "refers to the first floor of the Ming Imperial Ancestral temple". That is the first in "Chu Ci"? Liu: "only then the ending in the temple." Wang Yizhu: "temple, ancestral home is. People say the monarch is the political uprising, will inform the debate on the ancestral temple, Mingtang also." "The Imperial Ancestral Temple Hall" the semantic cues themes and venue of the exhibition. The extended meaning of "Temple" is a word for "ancient imperial worship, the place", since ancient times known as "in office, is concerned about the people" (Fan Zhongyan "Yueyang Tower") of the famous poem of this code, and "people", people have a clear mapping, which contain the connotation the art of "serve the people". At the same time, the "artistic image" of the exhibition works generalizes the category of Chinese painting and calligraphy, and at the same time, it indicates the image features of Chinese traditional calligraphy and painting. Yu Yang opening remarks as more than sixty years of imperial collection of calligraphy treasures first published, the exhibition has important cultural value and)相关的主题文章: